A group of six unlikely but brave kids fall into the path of a immense and fearsome otherworldly malevolence that has invaded our realm from the outer limits of oblivion. They have no choice but to spend their lifetimes confronting it, enduring horror after horror in the process.
This describes the premise, in essence, of the master of horror’s iconic book It (arguably his finest; no debate). It parallels of King’s son Joseph Hillstrom King’s new chilling tome, in which a band of six summon the ancient, infinitely malicious dragon the Sorrowful Monarch from the Abyssal Void to assist them in vanquishing some baddies. Needless to say, their arcane ceremony backfires.
Joseph Hillström King started his career striving diligently to remain separate from his famous father, publishing under the pen name he continues to employ and avoiding meeting his agent (he bears a striking resemblance to his dad). Yet with this recent release, he fully acknowledges it. Several quotes that deliberately echo some of the senior author’s well-known (that classic opening line); a moment that recalls a recurring theme in King’s works (a riddling contest). Throughout this massive book, Joe Hill takes pleasure in his family connection, and the audience revels alongside.
Focusing on the companions: most are scholars at the fictional the esteemed institution in this northeastern locale. We have Arthur, studious and brilliant, solving Old English riddles in his spare time; another key figure, affluent, clever, and known for crushing anyone who stands in his way; the twin siblings; the stunning Allie. Then we have Gwen, who doesn’t study with them, but becomes a key part of their band as they experiment, somewhat credulous, partly skeptical, in supernatural practices.
The protagonist finds himself, due to circumstances beyond his control, obliged to take prized manuscripts from his cherished academic collection by a set of regional villains. This devastates his scholarly soul, especially when he’s compelled to seize the library’s most valuable and chilling title: the journal of practitioner Enoch Crane (executed “for dealing with infernal entities in 1703”; the cover is made from his skin). The intrepid group peruse the diary, discover they could summon what the occultist details as a armoured devil” to aid our hero with his coercion issue – and spend the rest of the novel facing the fallout. This ancient entity will undoubtedly remove those problematic neighborhood criminals, but they are required to pick a different victim each year or succumb to the dragon’s wrath. In the character’s own words: “You plant seeds of destruction, all you get is more dragons.”
Spanning forty years, the author shifts with effortless ease between genres: as the allies strive to manage the predicament they find themselves in by, through diverse methods, picking people who are obviously evil to sacrifice, or seeking means to kill the dragon themselves, we transition from thriller to dark fantasy, covert operations to affectionate subplot to fright. My favorite genre switch was to a quest story, far beneath the surface under the English county, a section infused with the fantasy maestro that was wonderfully frightening.
There are trolls – bridge-dwelling ones and online ones, genuinely frightening and perfectly brought to life. There are magical swords and treacheries, pulse-pounding sequences of bravery and ones of terrible wickedness, both earthly and otherworldly. This is a remarkable achievement: a chilling book that is primarily a paean to the human inventiveness, and to devotion and companionship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the friends sit around the table, getting ready to invoke their dragon to life with the force of their minds.
As Hill puts it in his epigraph: “Hic sunt dracones”. Do not overlook this.
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